Lynn Schirmer

Upcoming Show

Detail: “The 4 Corners, (Corrupted Over Time)” Pastel on drafting film and colored paper, 6’ x 6’ 2009

Detail: “The 4 Corners, (Corrupted Over Time)” Pastel on drafting film and colored paper, 6’ x 6’ 2009

“Program”

Drawing and Painting by Lynn Schirmer

September 11 – October 4, 2009

Reception:

Belltown Second Friday Artwalk, September 11, 2009, 6 – 9 PM

Hours: Wednesdays-Sundays 12-4 PM

Form/Space Atelier
2407 First Ave.
Seattle, WA 98121

“Program” is a collection of Lynn Schirmer’s autobiographical large-scale figurative paintings, drawings, and other products. These recent works explore in more detail methods of external control, identity, and how experiences impact our sense of physicality. At the reception, audiences will have the opportunity to program Schirmer, or alter her mental state, by interacting with the elements in one particular piece.

I hope you can attend.

http://formspaceatelier.blogspot.com/
http://www.formspaceatelier.com/

Double Opening

The very same night, right around the corner onto Second Ave., City Hostel will again be open to the public.

City Hostel Seattle Room 301

Towards the end of July, my friend Jen Vertz approached me about the project she’d volunteered to curate.  Taking the lead from San Francisco’s Hotel des Arts and similar projects, City Hostel Seattle reached out to Jen and her partner, spray-paint maestro Jeff Jacobson aka “Weirdo”.  Jen’s job: to quickly find some 50 artists to each take a room, and the rooms had to be completed in time to open on August 14.  Needless to say it was a whirlwind of activity, during which I was also reconnecting with half a dozen friends from my 1st high school in the deep South via Facebook, plus I got into a bit of excitement with, and I can’t publish it, a man friend.

The hostel project was a joy.  I arranged to have some days off of client work towards the end and it was fantastic.  Painting all day and being in the company of so many other artists was just about as much fun as I could handle.  I could fill a few blog posts on the issue of compensation and the sad state of a society that encourages an unquestioning willingness in artists to essentially volunteer for a for-profit project.  Two factors motivated me, however, one was the opportunity to paint directly onto the walls of a room.  I painted a small trompe l’oeil in the sink nook.  I could never get away with that at a gallery show, it would be panned as low brow, but in this context, the audiences seemed rather pleased, and that’s the other factor.  This work has a guaranteed audience for several years to come.  I took great delight in creating imagery reflecting the purpose of the room. I felt a responsibility to create pleasing and thought provoking work and I liked feeling that sense of responsibility. It’s art with a purpose that has some longevity. One of the artists had a Warhol quote hanging in his space: “Why do people think artists are special? It’s just another job.”  I felt that blue collar around my neck and was proud. Now we just need to foment a labor movement so that we can get paid.

Here are some photos of my room at City Hostel:

Sleeper dreams of a battle over the light switch.

Sleeper dreams of a battle over the light switch.

Mirror nook

Mirror nook

Trompe l'oeil in the sink nook, can you read what it says?

Trompe l'oeil in the sink nook, can you read what it says?

Sleepers above the headboard

Sleepers above the headboard

Sleeper's helper pulls up on the floor of the room.

Sleeper's helper pulls up on the floor of the room.

Ceiling

Ceiling

Window sill

Window sill

Window lovers into trees

Window lovers into trees

Sleeper pulls on the window moulding

Sleeper pulls on the window moulding

Related Links:

Hostel Art Collective Flickr photos

Hostel Art Collective Blog

Media: City Hostel Seattle

When New is just Different, not Better

Exception to that rule:  My new drawing, which I believe is about on the same level as the rest of the work I’ve been doing lately and to me, that’s exciting.  The rest of this post pertains to consumer electronic products, which in this economic system, seem to be following the post title trend to various degrees.

Deatail of New Drawing

Detail of New Drawing

New Drawing in Progress July, 2009

New Drawing in Progress July, 2009

I’m typing this on my new IMac.  I’m not completely new to macs, I’ve used a G4 powerbook to practice on for over a year.  Right now however, I’m trying not to get my fingers stuck on this very flat IMac keyboard.

I’ve had the new machine for months, but have taken sweet time to let go of my Windows pc and officially cross over for daily work. It’s not easy to completely re-automate all your work processes.  One issue about the Mac OS that confounds me is switching between open applications and windows.  I’ve just begun playing with Expose and Spaces, and it shouldn’t be that hard.  I want a simple bar or thumbnail box showing all my open windows that I can click on to switch.  I only want to have to click once, is that so difficult?  I’m not fan of keyboard shortcuts.

(On edit here, making progress with Expose, and a third party utility to help switch, open, and quit apps. Now challenged with hiding the desktop behind Photoshop.)

There are other minor issues, only 3 USB ports and they’re in the back.  Why in this day and age are in they in the back?  I love how Apple cares about the aesthetic quality of their machines, that is important to me, but looking good at the expence of functionality, nope, that fails the test. Neither Mac has crashed however, something I can’t say for my Windows machine which  crashed on average once every couple of weeks with one issue or another.

I’m still getting used to the 20″ LCD screen.  In places the colors are too brilliant, from the side of course, the display is useless. I’ve tried adjusting the brightness as looking at the large screen has been tough on my eyes. I miss my CRT, now lonely, staring at me from its new corner.  Both monitors need serious calibration.

I got a new phone too.  I had to switch carriers.  The new phone isn’t as pretty, is more difficult to operate, and doesn’t have as many features.  New doesn’t mean better, it usually means more money for someone, no need to explain that, although I am paying $30 less per month on my bill.

First Thursday Report, May: Parts

First however, I must relate the story of the drafting film.  I was very pleased to bring home with me from Paris, and the original Sennelier Artist Materials  store, a new set of grey pastels.  Surprisingly it took me a couple of weeks until I began to play with them in the studio.  The first day I did so, my studio was still a mess and all I could find to use was a scrap of drafting film.  It’s not a conventional ground for pastels by any means, in fact it’s somewhat unusual, but I tacked it up anyway just wanting to do a quick test.

The pastels were wonderful, wide, dense and rich, and oddly enough the translucence of the drafting paper added a quality to them that I liked very much.  Plus, the pastel stuck to the paper quite well. I finished my test and thought to myself that I should find some more drafting film, perhaps a big roll of it in order to work very large.

About a week later, the very next time I was free and on my way to my studio again, I opened the door of my apartment and there leaning on the frame was nothing other than a giant roll of drafting film.  I had not told anyone of my plan, and actually had it in my mind that I would go out and buy a roll that day.  A little note attached to it said the roll had been left for me by Brian Murphy while I was away in Paris.  My neighbor had taken it into her apartment for safe keeping, and had just remembered to put it out for me again.  I think this is more than a cosmic hint, if such things exist, it is like being whacked over the head!  A lovely synchronicity it was and the start to a great studio session.  Included below are my first couple of efforts with the drafting paper and the giant new pastels from Paris.

FT Studio View1

FT Studio View1

On the right: a new drawing using the new pastels and paper called “The Frenchman”, on the left: the results of that first test “The Little Handmaiden”.  Then on the cart I ran out of room in storage so I left the remaining parts of my arch sculpture out in yet their 6 th or 7th incarnation within a year “Extra Parts.”

Detail: The Frenchman

Detail: The Frenchman

Extra Parts Cart

Extra Parts Cart

FT Studio View2

FT Studio View2

On the right: a work in oil I started last year, although I haven’t had any studio time for months,  work is going quickly on it now. On the left: a new piece utilizing the 1″ diameter pastels called  “Little Boy Part”.  Only some folks will understand what that means for me but since it’s a play on words there’s an interpretation for anyone.  In the middle is a quick gesture drawing, a female feeling free, a little too free for some audiences, but that’s ok.

Work in progress

Work in progress

FT Studio View3

FT Studio View3

Detail: Little Boy Part

Detail: Little Boy Part

I had such a good time drawing these feet and hands.  Something was working very well with my brain circuits because they popped out on the paper automatically just as you see them here, and putting that line down was such a joy.

To the couple who sat down in my chairs and made out, thank you. I have no idea whether you did so because of the artwork or the feeling in the room, but I’d like to think it wasn’t accidental.

Typical Boo-boos & Boos for Microsoft

So I was reading about Apple’s surprising 2nd quarter earnings, which led me to market analysis and prediction, which led to reading about Microsoft.  Windows 7 is set to relieve Vista of its resource taxing and user frustrating duties late this year or early next year.  I read an entire article about 7 and was slightly curious so I went to the Windows 7 page on the Microsoft site.

The page sure did look pretty at a quick glance. I’m a typical web site viewer/user, so I scan a page rather than read at first. I dragged my cursor over the headline that read “Take a Look”. Hmm, it’s not a hyperlink.  Then over the magnifying glass graphic, hmm, not a hyperlink.  I started to giggle.  I found the tiny text below the headline and blurb that redundantly says “See what’s new”.  Oh, there’s the hyperlink!  Were they trying to force me to read the blurb first? No such luck, however, they did annoy and then amuse me by breaking what is by now a well established web design pattern. This is expected boo-boo #1.

So I click on the link and it takes me to a page that apparently (apparently is my favorite word of late) lists the improvements of the OS over its predecessors.  There’s a nice graphic to illustrate a supposedly superior taskbar in the middle of the page.  My eyesight isn’t always so great anymore, so I drag my cursor over the pic hoping to click to a larger view, but no such luck.  I start to laugh out loud, as this is boo-boo #2, but I decide to give M the great Softie one more try.

I click back to the main page.  There’s a video at the top, it has a large play-me button right smack in the middle, just beckoning.  I think, oh, I’ll just watch the little video. I click on it, but you see, I’m a sinner.  I’m using a mac laptop and surfing with Firefox. Firefox gives me a yellow pop-up warning. I’m informed that the video can’t be viewed without downloading a plugin.  I’m thinking, no, they’re using Silverlight for this, proprietary, exclusive, Silverlight that will not run on a Mac?  Boo-boo#3! What idiot thought of that, aren’t they trying to redeem themselves, to win back some of Apple’s recent market share increases? Turns out it’s some other bit of software I’ve never heard of, “Flip4mac”. Not as bad, but still, I’m NOT downloading and installing software to watch an advertisement.  So my thoughts went thus: how on this green-grey earth do they expect to compete with Mac when… no how do they expect to sell a product by making users work to, no, how in**** could they ever design an efficient and usable OS when they can’t design a user friendly website? Then I laughed for a really long time, until I remembered how much money they’ve made and probably will make, regardless.

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